![]() A solution is to use an active volume pedal such as the Mission VM-PRO, which is designed to work with multiple different inputs. One problem here is that if you connect multiple instruments to your pedalboard it’s not always going to be easy to mix and match. Line out such as electronic keyboard – < 150K Ohm Passive electric guitar pickups – 250K – 1M OhmĪctive electric guitar pickups – 25K – 50K OhmĪmplified (active) piezo electric pickup – 25K – 50K Ohm Here’s a rule of thumb for nominal impedance matching to a volume pedal: ![]() In general passive electric guitar pickups will work best with at least 250K Ohm on the input of the volume pedal, around 500K Ohm is better still. One thing to watch with connecting the volume pedal first is to make sure the input impedance is compatible with what you are connecting. ![]() It also means that following effects such as delays and reverbs tails will still continue even after the volume is reduced to zero. This makes placing the volume pedal first great for things such as swells, or blending between a clean and crunchy tones. For guitar players this means level sensitive inputs such as overdrive pedals, or the front end of a tube amp will respond accordingly, typically cleaning up an overdriven tone as you reduce the volume. As you reduce the volume, you will be reducing the signal level into the following devices. ![]() In this scenario, the volume pedal behaves very much like the volume control on your instrument itself. The most obvious, and probably most common ordering for a volume pedal in the signal chain is simply to put it first: Take the cable from your instrument and connect it directly to the input of the volume pedal. ![]()
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